Multimedia

Multimedia Industry Project

Danny Hindson — Fri, 30 Oct 2009 00:58:47 +0000

Bit Depth

Danny Hindson — Wed, 11 Mar 2009 03:31:50 +0000

Bit depth quantifies how many unique colors are available in an images color palette in terms of the number of 0s and 1s, or “bits,” which are used to specify each color. This does not mean that the image necessarily uses all of these colors, but that it can instead specify colors with that level of precision. For a grayscale image, the bit depth quantifies how many unique shades are available. Images with higher bit depths can encode more shades or colors since there are more combinations of 0s and 1s available.

The direction (position) of light

Danny Hindson — Tue, 03 Mar 2009 04:19:11 +0000

When it comes to the direction of light, there are 360 degrees of possibilities. When the light isn’t working for you, change it by moving your position, your subject’s position, or the light itself, if possible.

via The direction (position) of light.

Leading Lines

Danny Hindson — Tue, 03 Mar 2009 03:01:47 +0000

Leading Lines are used to lure the eye deeper into a picture or to an important subject. Straight, curved, parallel, or diagonal lines are all good at promoting interest. Good examples could be roads, rivers, streams, bridges, branches, or fences but there are endless things that could be used.

via Digital Photography Tips – Rules of Composition.

Proportion

Danny Hindson — Tue, 03 Mar 2009 01:23:48 +0000

Proportion is the comparison of dimensions or distribution of forms. It is the relationship in scale between one element and another, or between a whole object and one of its parts. Differing proportions within a composition can relate to different kinds of balance or symmetry, and can help establish visual weight and depth. In the below examples, notice how the smaller elements seem to recede into the background while the larger elements come to the front.

via Digital Web Magazine – The Principles of Design .

Asymmetrical (Informal) Balance

Danny Hindson — Tue, 03 Mar 2009 01:21:32 +0000

Asymmetrical balance occurs when the weight of a composition is not evenly distributed around a central axis. It involves the arranging of objects of differing size in a composition such that they balance one another with their respective visual weights. Often there is one dominant form that is offset by many smaller forms. In general, asymmetrical compositions tend to have a greater sense of visual tension. Asymmetrical balance is also known as informal balance.

via Digital Web Magazine – The Principles of Design .

Symmetrical Balance

Danny Hindson — Tue, 03 Mar 2009 01:20:34 +0000

Symmetrical balance occurs when the weight of a composition is evenly distributed around a central vertical or horizontal axis. Under normal circumstances it assumes identical forms on both sides of the axis. When symmetry occurs with similar, but not identical, forms it is called approximate symmetry. In addition, it is possible to build a composition equally around a central point resulting in radial symmetry1. Symmetrical balance is also known as formal balance.

via Digital Web Magazine – The Principles of Design .

Emphasis

Danny Hindson — Tue, 03 Mar 2009 01:15:08 +0000

One method used to attract attention in the design of a page or work of art is the use of a focal point. A focal point draws your attention to the most important element on the page. There are several techniques used to emphasize the most important object on a page.

via Principles of Design: Emphasis.

Radial Balance

Danny Hindson — Tue, 03 Mar 2009 01:12:20 +0000

The third type of balance is radial balance, where all elements radiate out from a center point in a circular fashion. It is very easy to maintain a focal point in radial balance, since all the elements lead your eye toward the center.

via Principles of Design: Balance.

Asymmetrical (Informal) Balance

Danny Hindson — Tue, 03 Mar 2009 01:10:52 +0000

Asymmetrical balance occurs when several smaller items on one side are balanced by a large item on the other side, or smaller items are placed further away from the center of the screen than larger items. One darker item may need to be balanced by several lighter items.

Although asymmetrical balance may appear more casual and less planned, it is usually harder to to use because the artist must plan the layout very carefully to ensure that it is still balanced. An unbalanced page or screen creates a feeling of tension, as if the page or screen might tip, or things might slide off the side, just as the unbalanced balance beam would tip to one side

via Principles of Design: Balance.